This sculpture developed from one of the groups in The Gates of Hell. Rodin explored the subject over a number of years, the earliest dating from before 1886, and produced it in several other versions, as well as drawing it repeatedly.
This marble version was probably carved by his trusted assistants and technicians, under his supervision, as was normal workshop practice at the time. The contrast of the rough-hewn rock with the smooth surface of the figures indicates Rodin's admiration for the work of Michelangelo.
This object is part of "Scan The World". Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email email@example.com to find out how you can help.