Rodin took his inspiration from the famous doors that Ghiberti had made for the baptistery in Florence in the fifteenth century. Three years later, he was satisfied with his initial model, but the plans for the museum were abandoned. The discarded doors became a creative reservoir for Rodin, providing many groups of figures which were finally detached from the whole, such as The Thinker and The Kiss. The Gates of Hell, which only a few privileged critics had been allowed to see, then took on symbolic value: of Rodin's boundless creative genius for some, of his inability to finish anything, for others. On the left, Paolo and Francesca are among the tumbling bodies.
This object is part of "Scan The World". Scan the World is a non-profit initiative introduced by MyMiniFactory, through which we are creating a digital archive of fully 3D printable sculptures, artworks and landmarks from across the globe for the public to access for free. Scan the World is an open source, community effort, if you have interesting items around you and would like to contribute, email email@example.com to find out how you can help.